A few days ago, I found out about an upcoming project called We’re Still Here: An All-Trans Comics Anthology, edited by Tara Avery and Jeanne Thornton. It is slated to be released in January, pending enough funding through their kickstarter campaign. When I first checked it out, it had been “live” for one day, and had already reached $15,000 of it’s $17,000 goal. Today, a mere 5 days later?!!! It’s at $35,126 – more than double of that goal!!!
That means, I’m assuming, that the artists are going to get paid even more $$. They were going to be getting paid $25 per page – I wonder if that’ll get raised to $50 / page. Hopefully!
I pre-ordered my copy and cannot wait to get to read it in its entirety!
In the meantime, I asked one of the authors, whom I met online through a Facebook group, how they got started / how they found out about contributing.
Me: How did you get into graphic arts? Do you have formal training or are you mostly self-taught?
Kyri:I have been drawing since I was old enough to have motor control to move a crayon around, and telling stories for almost as long as that. My early focus was on animals, but I branched out to people, stories, and comics in late elementary school when I discovered manga. That’s held on for the long haul. I went to a liberal arts school instead of a traditional art school, which turned out better for comics anyway because I could minor in creative writing. I focused mostly on printmaking in college, which translates really well to comics – a lot of thinking in sharp black and whites and the graphic quality of lines, and how a reproduced image reaches large audiences.
Me: How did you first hear about this project?
Kyri: I’m part of a comic creator’s group in Boston, the Boston Comics Roundtable, and someone there signal boosted the open call for submissions – I can’t for the life of me remember who. I almost didn’t send in a submission packet, and actually ended up submitting something a week late, because I was a little intimidated by the people in charge and the people who were already part of the project. I’m so glad I pushed past my fears, though, and I’m really excited to be published alongside all these fantastic trans artists
Me:How did you narrow down the story that you wanted to tell? Is it your “quintessential” coming-out story, of sorts, or something more tangential?
Kyri:I knew when I first saw the open call and the concept for the anthology that I wanted to do something about my bodily experience with both gender dysphoria and chronic illness. I have fibromyalgia and hypermobile joints, and it really affects how I’m able to present on any given day. Binding can really hurt my ribcage if I’m not careful, and sometimes the compression just ends up hurting my muscles because of the constant contact, even if I’m binding correctly. Being chronically ill also means I’m not as fit as I once was, and the extra weight means I get misgendered constantly, even when I am attempting to present androgynous/masculine. I think that most people tend to think of the thin attractive model of androgyny when they think of what it means to be agender or demigender, and there’s just not enough discussion around diversity of trans bodies outside of our community. There’s also this pervasive and weird idea that you can only be “one thing” so convincing people I’m both trans AND have an invisible disability is an ordeal sometimes. I wanted to do something to touch on all of that, and ended up with an autobio comic in which my body is compared to a house.
Kyri Lorenz: Hailing from the mountains of Northern Colorado, Kyri Lorenz is an agender jack-of-all-trades creator with a long history of meddling with concepts of nature and identity. If it involves creation and inspiration, Kyri is there, getting their mitts all over it and learning how best to make it serve their whims. Most of the time, this is easy and the technique or medium is more than happy to comply. Sometimes, it takes a little more finagling, but there’s always something to show for it at the end.
They got their BA in Visual Arts from Hollins University in Roanoke, VA, and are currently living and working in Cambridge, MA. See more of their work at kyrianne.com.
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