I found out a few weeks ago that the anthology I contributed to, Nonbinary: Memoirs of Gender and Identity, is a finalist in the “LGBTQ Anthology” category! Although there won’t be a “Lammy Awards Ceremony” because of COVID-19, the winners will still be announced in early June, for 24 categories, through a format TBD. The finalists were selected by a panel of over 60 literary professionals from roughly 1,000 book submissions from over 300 publishers. I didn’t even know this anthology had been submitted / it didn’t occur to me, so finding that out through social media from one of the editors was a fun surprise.
I’ve read a few of the other books from other categories this year; here are some mini book reviews:
In the Dream House by Carmen Maria Machado (LGBTQ Nonfiction) – The author captures a year (more or less) of her life in which she was consumed by an emotionally abusive relationship. She also weaves in myths, legends, and historic examples of lesbian abuse through the ages. It ended up being much harder to get through than I anticipated, but it was highly rewarding. I was particularly impressed by the way she kept her ex-girlfriend at an extreme distance from the readers and simultaneously submerged us in the chaos.
A Year Without a Name by Cyrus Grace Dunham (LGBTQ Nonfiction) – This also was the story of one year, but presented in a much different way. They do a particularly good job of examining the mental health struggles that can result from the uncertainty of gender dysphoria and what to either do or not do about it. From what I can gather, they come from affluence, and they don’t mention how this plays into their experience at all (it is HUGE), which bothered me, but that might not be quite a fair assessment.
How We Fight for Our Lives by Saeed Jones (Gay Memoir / Biography) – One of the best memoirs I’ve ever read. In his blurb on the book jacket, his background is in poetry, and that makes perfect sense (although his language is not overly poetic). I was absorbed fully in his experiences, specifically the ways sexuality and sexual acts became dangerously subverted for him, over time. And why the culture at large contributed to that. He also handles family dynamics deftly, painting portraits of each family member fully, so we can see and understand why they are doing the things they do and being the way they be.
Death Threat by Vivek Shraya, illustrated by Ness Lee (LGBTQ Comics) – I gotta admit I can’t remember much from reading this, and that was only 3 months ago. So I just now went to go find more about it, and here’s a quick synopsis from goodreads.com: “In the fall of 2017, the acclaimed writer and musician Vivek Shraya began receiving vivid and disturbing transphobic hate mail from a stranger. Using satire and surrealism, Death Threat is an unflinching portrayal of violent harassment from the perspective of both the perpetrator and the target, illustrating the dangers of online accessibility, and the ease with which vitriolic hatred can be spread digitally.” From what I remember, the story was disjointed and difficult to follow, but the alarming nature of the situation definitely did shine through.
Looking forward to June to find out the winners!
My spouse and I just attended the 27th annual LGBTQ+ film festival in our town, and we saw some pretty great films. Overall, we both preferred the documentaries over the fictional narratives, but we did like all the ones we ended up picking out. I’ve had a varied relationship with this festival over the years – when I was younger, I wasn’t sure I belonged, and it was just so thrilling to even be there at all. I volunteered one year, and formed some lasting relationships through doing that. Then I kind of shunned it for a few years, deciding I didn’t have time for it, and the ticket prices were too pricey. In the past 4 years, I changed my tune and realized we are lucky to have this festival in our hometown, and we should make the most of it. We pick out a handful of films each year now, and pre-pay (to get a slight discount). I’d have to say that at this point, the novelty of being there as a super-fan has started to wear off, but I do still look forward to it each year, regardless… here are the films we saw this time around (links are to film websites, trailers, or reviews):
Zen in the Ice Rift – This was a narrative drama from Italy about a transmasculine teenager who is really just at the beginning of their journey into who they really are. They’re on the boy’s hockey team (only because their town is so small and that’s the only option), are getting bullied, and are acting out a lot in response. It was pretty hard to watch, but definitely well done – themes of victimization and violence, definitely a trope at this point.
The Ground Beneath My Feet – This one was from Austria, about a workaholic woman who’s sister has suffered yet another psychotic break and is hospitalized. The woman starts to question her own sanity while trying to juggle all aspects of her super stressful life (a lesbian affair with her superior being only one small tendril of her falling-apart-life). Really well done, edgy, gloomy thriller-drama.
Label Me – From Germany, this one was about a refugee from Syria who begins an ongoing money-for-sex relationship with a man who seems very well off and very isolated at the same time. It gets interesting when the two men navigate that line between intimacy, sex, money, and everything else that falls in between.
Leave it to Levi – This was a documentary about a porn star who works exclusively with Cocky Boys. It was just totally fun, but there was depth too, when the film explored his relationship with his mother and his forays into dressing in drag and going totally against the norm of the Macho Porn Star.
Gay Chorus Deep South – This documentary was full of heart. The San Francisco Gay Men’s Choir toured 7 southern states in order to raise awareness of anti-LGBTQ+ laws that have been popping up in the wake of the 2016 election. Along the way, we see some amazing personal stories of some of the chorus members, specifically from people who were born in the south and made it to the (relatively) safe haven of SF.
Changing the Game – By far, this one was our favorite. So many strong emotions going on. Between this one and Gay Chorus, I did a lot of crying! This followed the trajectory of 4 transgender teens from 3 different states (which all have different laws about transgender people competing in sports) and how they navigated what they had to do to keep pursuing the sports they love. They all came up against so much hate, but also so much love and support, specifically from coaches and parents / guardians.
So I’ve been blogging for a while now, and I haven’t said a whole lot about my spouse, basically out of respect for their privacy. But they actually have a lot to say! Here’s just a little bit of what goes on behind the scenes:
Over the last 6 years that Kameron has been recording his gender transition journey, I have always appeared in his writing as the supportive spouse. That’s a role I have been happy to fill. Happy to be part of a couple t hat goes against the standard narrative of couples perceived as “same-sex” who split when one comes out as transmasculine/trans male. I never felt that Kameron’s transition challenged my sexual orientation—I am that rare non-binary unicorn who discovers their identity all at once, albeit belatedly. I never thought I was a lesbian, if anything other people read me as asexual. As I came into my own queer sexuality and genderqueer identity, I was falling for a pansexual gender non-conforming guy (I have no idea how he would define himself, this is how I experienced him). I embraced the po-mo complexity of my attraction to his particular queer blend of femininity and masculinity.
For me, being genderqueer gave me permission to play with my gender presentation. I had fun thrifting to build a wardrobe that reflected the spectrum of my gender expression—t-shirts from the boys section, day-glo green femme sweaters, bright blue doc marten boots, mini-skirts, baggy pants and flannel shirts. I felt more confident taking up space, and attracting the attention of other gender non-conforming queer people. But once I found myself romantically involved with someone (before Kameron), my partner assumed that I was “the more feminine one.” I felt pressured to present more femininely to heighten their tenuous, new expression of masculinity.
Now when I look back at the past 13 years of my life, I question whether I presented femininely because I internalized that pressure and carried it forward into my relationship with Kameron. Was this shift an unconscious assimilation to ease moving through the world? Or did I truly want to grow my hair out, wear skirts/dresses, and feel included in feminist spaces?! What a mindfuck! Being genderfluid makes life hella complicated. I have identified as a genderqueer femme, but that feels too limiting now. My gender expression has shifted again in the last 3 years toward a more masculine presentation. I feel more comfortable with how others see me now but I am sure that I am still perceived as a queer woman. The pendulum has simply swayed from femme to butch.
While Kameron’s transition didn’t threaten my sexual orientation, I did find myself at times feeling like I was getting left behind. I started to have strange pangs of jealousy—I had a much larger chest and have felt dysphoric about it since it first developed, but I wasn’t the one getting top surgery. I was the one sitting in a waiting room and I was the one keeping track of how much blood was accumulating in his drains, taking time off to help him with early recovery. Where were these ugly resentments coming from? I was so dissociated from my feelings and my body that it took years of watching Kameron’s transition unfold for me to start exploring my gender identity more.
It’s funny that we didn’t talk much about our gender identities with each other, I cocooned myself a bit and started parsing out what felt good and what didn’t. “She” was icky, so I asked Kameron, some close friends & family members, and co-workers to start using “they/them/theirs” for me. Ah, a sigh of relief. Then more discomfort would surface, I couldn’t wear bras anymore, not even sports bras. I threw them all away and got advice from Kameron
on various binder options. Another sigh of relief. Then a sudden surge of agitation when a friend starting dating someone with my given name. I had already been obsessively browsing Celtic baby name websites but now I felt an urgency to rename myself. Overall, I feel more comfortable with my gender now, but it still doesn’t feel like enough. I have started low-dose testosterone (shout out to Planned Parenthood for using an informed consent model) and am scheduling a top surgery consult soon. I am hoping that these steps will help alleviate my dysphoria, as it feels ever present now that I have stopped compartmentalizing it. These flooding feelings has been difficult to manage, and I’m currently battling a flare up of past restrictive eating habits.
For the longest time I couldn’t bear the attention of physically and socially transitioning. And I didn’t feel trans enough. I questioned why I had to do the emotional labor of explicitly coming out to be seen as non-binary. This has been an ongoing test of my tolerance for vulnerability. I need to be my authentic self for me, but the acknowledgement of others is overwhelming. I am a private person, I don’t have a blog, I keep a written journal. I guard my inner world with ferociousness and have a hard time trusting others. So far most people have been supportive and reached out to let me know so, but others have quietly noted signifiers (like changing my name on social media accounts) without comment. While the attention is exhausting (mostly due to my anxiety in these interactions), the silence of others is more painful. These silences have spurred me to have more in-depth conversations with those who do reach out, to push shame away and invite friends in.
Hey, I have an essay in this anthology, Nonbinary: Memoirs of Gender and Identity, which is finally being released by Columbia University Press, officially on April 9th, but you can go ahead and order your copies now! This has been roughly 5 years in the making, and through that time, I went through lots of different edits and re-writes with Micah Rajunov (genderqueer.me), one of the two editors. Both he and Scott Duane did tons of behind-the-scenes work to make this happen. I just sat around, for the most part, and waited to see what was going to become of it!
The time-frame was so long that I pretty much forgot what I wrote. And I was a little apprehensive to revisit it. When I first heard news of the release date, I had a mixture of emotions: excitement and pride, to be sure. But also a little bit of hesitation, like, would I still identify with whatever the hell I had written?! Would I be cool with everyone, friends and family, reading it? I decided not to overthink it; when I got my copy in the mail, I posted this pic to my social media, and just let what was gonna happen, happen. However, I still hadn’t read it! I was stalling. My spouse went ahead for me, and reported back, which helped me get used to the idea. When I first tried, I couldn’t read it linearly – I just skipped around and tried to get the gist, get a sense before finding out all the details. Then I went back and started with the anthology from the first contributor, and when I got to mine, I finally did read it all the way through. Phew. I’m almost done with the whole book now. Lots of really amazing, diverse stories.
People started ordering their own copies. My grandpa and my aunt have already read it and connected with me about it! I ordered a dozen to give to friends, my therapist, my local Out Alliance’s library, etc. It’s starting to feel real, and the excitement is growing, now that I can kinda wrap my head around it.
My spouse and I had a lot of fun going to a bunch of fims during this year’s local annual LGBTQ+ film festival! I liked all the films we picked out this time around. Here’s a little more about them (some of the links are to trailers while others’ are for the films’ websites:
Pulse – This Australian film was part of the “ImageOut There!” series, it definitely took some interesting twists and turns. What if people could surgically switch bodies, like for example go from a disabled teenaged male body to a “picture perfect” teenaged female body? This is what Olly chooses to do, with his/her reasonings unfolding slowly throughout the movie. A different and unique perspective leaning a little too heavily on the fantasy of what it means to be a woman: not much insight but plenty of pitfalls.
Man Made – This may be my all time favorite movie I’ve seen at the festival over the years. I cried a lot (and that’s saying something because lately tears are super hard to come by!) It’s a documentary that follows the journeys of 4 transgender men as they prepare for the only all-trans bodybuilding competition, in Atlanta, GA. Their stories are heartwarming, heartbreaking, and they hit on a bunch of emotional points in between.
Cola de Mono – This Chilean film was also part of the “ImageOut There!” series. It’s a feature length that focuses on one family on Christmas eve, 1986. The men in the family have been “cursed” by homosexuality, and the next iteration is now playing itself out. It’s super melodramatic, definitely campy, but not in a fun way. They undertones are full of hypersexuality, perversion, ritual, and horror. The film takes its name from a traditional drink similar to egg nog, which translates into “monkey’s tail.”
Studio 54 – I didn’t really know anything about the behind-the-scenes, so I learned a lot! The documentary featured a lot of interview time of the more “silent” partner, Ian Schrager (the more public partner, Steve Rubell, passed away from AIDS / hepatitis in 1989.) My spouse pointed out that it was a smart idea not to rely on a bunch of famous people being interviewed about it – that seemed like the easy choice, but this way the film spoke for itself a lot more.
The Miseducation of Cameron Post – My spouse was super psyched this was part of the festival, because they had heard of it and had just finished reading the novel that the film is based on. It takes place in Montana in 1993; when Cameron is caught in the backseat of a car with her girlfriend, she’s sent to a conversion therapy camp called God’s Promise. It was awesome to see this with a theater full of people because there were so many sound bites that got big laughs (although the writer and director didn’t seem to account for those interruptions, there wasn’t a beat for us to catch up, meaning we ended up missing dialogue because we were laughing so much. At one point, the audience burst out with a round of applause!) This was thoroughly entertaining and also disturbing – a more dramatic partner piece to “But I’m a Cheerleader.”
A friend of mine living in Albuquerque posted about an art project s/he recently completed, and I messaged hir to find out more about it. What follows is an interview with the artist, Harley Kirschner, in which we touch on toxic masculinity, safety, artistic processes, and a whole lot more!
Kam: How did you get involved in it? Did you propose the idea?
Harley: I work at Winnings coffee shop again, after a few years in plumbing and pipefitting , unemployment, self employment and other jobs. We have artists do murals in our bathrooms and it was time for a new one.The need was expressed and I jumped on the opportunity. I got free reign over what I wanted to do and as a trans artist who is getting into what I like to think of as oversized zines, naturally I created a zine installation about using public restrooms as trans in a public restroom.
Kam: Is it related to your plumbing career, your art career, or both? Can you elaborate on that?
Harley: My plumbing career collapsed which I now see as a blessing. However, in that collapse, after living stealth 24/7 I really collapsed emotionally. Everything about my art and my loud trans non-binary self is because I failed at fitting the mold of what a plumber or pipefitter or man is supposed to be. Trying to be someone that I’m not almost killed me as I was terrified and disassociated all the time. I do share my experience with how bathrooms were such a huge part of that in this installation. However, although I would usually put my name on my story, due to the location being my place of employment and coming to embrace myself as non-binary and using mixed pronouns when I feel safe, I felt too vulnerable. I thought about censoring my story but felt the content was important so I chose to leave off my name.
I found empowerment in taking a bathroom and making it my own and a safe place for trans people after my experience in the plumbing industry which has rules (which are laws under the guise of safety… Most are.), about gendered bathrooms. That was one issue that I always had issues with myself. My experience in the plumbing and pipe fitting industries was heavy industrial for the most part so I did very little in bathrooms and actually very little with water. Mostly, I piped refrigerant and coal. I still use some of my skills in doing irrigation.
When my plumbing career fell apart and I started talking about it in zines and about how toxic masculinity makes me want to kill myself, I started getting recognized for my art and it was very clear to me that where my art had been lacking in the work that I had been showing wasn’t in the technical sense but rather in the voice. I knew that if I wanted to achieve what I wanted with my art, to make trans people feel beautiful, I had to use my own voice and make it loud. I had been very scared to do that. Partly because it was incredibly unsafe in my plumbing career and partly because I didn’t want to pigeonhole myself. When I had nothing to lose career wise and my sanity and breath depended on taking up queer and trans space I knew that taking the steps to enhance my literary voice would give my fine art real value.
Kam: What are your goals with the project? What would you like people to get out of it?
Harley: To make Winning Coffee Company the most queer and trans friendly coffee shop in Albuquerque. To take back bathrooms after they made me feel so unsafe. To embrace the diversity within my community by feeling the love and support of not only trans people but of all the people who love my work. I feel that it is very new to me to feel the amount of love and support around being trans from cis people that I do and I would like to offer that same safe feeling in a public place in Albuquerque for all trans people. I am very lucky to have such great supportive coworkers that helped make this happen, including making the bathrooms gender neutral (a few years ago) and helped me paint the walls.
Kam: Do you see ways to expand on this? Other places or other ideas?
Harley: I would like it to be an ongoing conversation. As the installation deteriorates and get tagged (unfortunately a given with the Winning’s bathroom-nothing offensive just disrespectful in general) I would like to replace the paper with different stories. People are encouraged to contribute any stories they have about using the bathroom as a trans person. I have thought about doing this bathroom in other spaces but am too busy artistically to take on another project right now.
Kam: What did your artistic process look like for this?
Harley: I used matte black paint on all the walls but chose to keep the ceiling white and paint the door white so it didn’t create a feeling of being trapped. There was a metal frame that used to have an advertisement poster in it. The advertising company closed but the frame was still there. It reminds me a lot of the welding that I was working with at the job that I reference in my story so I chose to keep it and decoupage the plexiglass that it holds. It works very well with the symbolist element of my work. I wallpapered large photocopies of stories and photocopied collages of images related to being trans and using bathrooms. I incorporated images from my time in the union, including an image of my shadow where I look like I’m holding a gun and I’m going to shoot, an image of a sign that says “ouch”, and images from one of my textbooks. My favorite part is the dictionary words “restricted” followed by “restroom”, nothing could have been more appropriate. In my photocopied collages I incorporate transfers to overlay images. There is a grainy quality in oversized prints that I find particularly appealing.
Kam: Anything else you wanted to add that I didn’t ask about?
Harley: Thank you very much for asking me to talk about my work on your blog. Your writing has always inspired me and I hope that my voice will be as touching to others as yours has been to me.
The bathrooms (all except for two) at the school I work at are getting a complete makeover this summer! (This is only a part of the remodeling / demolition that’s been going on – it’s been a fairly chaotic and atypical few months. Most of the time it feels like, how is all of this going to be completed by September 4th?!)
Here’s a quick rundown of the bathroom count:
3 boys gang bathrooms
3 girls gang bathrooms
1 mens staff bathroom
1 womens staff bathroom
2 gender-neutral staff bathrooms
1 girls gym teacher bathroom
1 boys gym teacher bathroom
1 nurse’s office gender-neutral bathroom
7 classroom gender-neutral bathrooms
2 girls single-use bathrooms
1 boys single-use bathroom
I’m gonna go out on a limb and say that my workplace has more bathroom options than pretty much anywhere else, ever. As a genderqueer person, I have never stressed out about where I was going to go pee. Never, until this summer. All bathrooms are out of commission except for one girls gang bathroom and one boys gang bathroom. “Gang,” in this case, means that more than one person can enter and use the bathroom at a time. I am missing my gender-neutral option!
Before I came out at work, I was using both womens and gender-neutral bathrooms. After I came out at work, I gradually transitioned to only using gender-neutral bathrooms. One good thing about all this upheaval is that when they’re done, there will be 4 more gender-neutral bathrooms than there had been previously. !!! !!!
Until then though, I’ve had to make some tough decisions. As the bathroom options started to shrink (due to demolition), I was getting creative, for a while. For example, I realized there was still a toilet not yet destroyed in on of the classrooms, and I was using that for a while. My co-worker, who knew I’d been only using gender-neutral options, asked me, “So which bathroom are you going to use?” Being semi-facetious, I replied, “I’ll use the womens for #1 and the mens for #2.” And I actually was doing that for a while.
But then I started running into other people who were also using the bathroom as the pickings got slim. And I started getting nervous. I’d rather people saw me as male and used he/him/his pronouns for me than not. Some people get that I’m neither, and that’s great, but I don’t need the whole school understanding this nuance. Things have been so much better for me since coming out; I just want to keep up that momentum.
So I made a stark, black and white decision, that I was going to use the boys gang bathroom, no matter who was around or who wasn’t around. It was tough to wrap my head around because, since top surgery, coming out, and being on a regular dose of T (in that order), I’ve been in all sorts of bathrooms depending on the context, how I’m feeling, and what the options are. But I STILL prefer and gravitate towards womens rooms. And I STILL have not been stopped or questioned once.
But, in this case, I’ve been feeling like I gotta do this because I’m trying to assert and simplify my identity so everyone gets the picture / is on the same page. It’s been working. Almost everyone (except my former supervisor who keeps leeching onto the building) uses he/him/his pronouns for me. Essentially, I haven’t been wanting to confuse people or have them question where I’m at. Even the contractors – all of them have been calling me “buddy,” and that actually feels really good!
It defintely has been nervewracking though. A few times, I almost ran into the girls room when I heard that someone was in the boys. I’ve never been in a mens/boys room with other males. (Er, actually, maybe a handful of times when I was traveling in Turkey, but that’s it.) But I stuck it out and passed them at the urinal in order to use the stall. Or was in the stall and heard them using the urinal. Or at the sink, etc. I went into the boys room while B&G (buildings and grounds – for the district) workers were around, while my co-workers were around, while (female) teachers were around.
And in the end, it’s all been OK. (It was a little less nerve-wracking, overall, because contractors were made to use a port-a-potty outside. Sucks to be them!) All I mean by that was that there were way less males using the school’s boys bathroom.
As soon as I can though, I will be right back in those gender-neutral, single stall bathrooms, which will be all over the place!!!
Wanna see other posts I’ve made in this series? Here they are:
Bathroom anxieties: a genderqueer janitor’s perspective
Bathroom anxieties: a genderqueer janitor’s perspective (pt. 2)
Oh, and, as always, I’ve been all over both the girls and the boys bathroom, in order to clean them, daily.
WordPress sent me a notification today letting me know that it’s my 5th anniversary of blogging here. So I’m scrambling to do a celebratory post!
When I started this blog, I was trying soooo hard to navigate my gender identity and to find a community. I’d say the first year or two was spent feeling like my blog was not enough, just continually putting myself out there and obsessing about how to connect with others through this method. I spent hours, daily, reading as many other blogs as I could find, about gender. After about 2 years, I think I started to feel secure in my writing voice, if not quite my gender yet. I really settled into writing regularly, and I got so much enjoyment out of it – this more than any other creative endeavor, for a long time. I’d say that within the past year, that’s shifted again, and I’ve felt pretty disenfranchised. I get way more “views” than ever before, mostly thanks to this singular post: 28 risks of chest binding. People love a good scare. They love to google things that could go wrong. I’m definitely proud of that post – I put a lot of work into that one. And I do love the fact that once they find my blog through that route, it seems like the majority of people poke around a little more and go deeper. (This is based on what I can tell from “stats.”) But the sense of community I felt so strongly has dwindled over time. People have stopped posting / I have stopped finding new blogs to read. There are a few mainstays that I haven’t quite kept up with; I’d like to remedy that…
The way I decided to celebrate this milestone is to pick 5 blog posts that I think got overlooked (one per year). Either I put a lot of emotional energy into them and didn’t get much feedback, or maybe I just think they’re worth checking out – they withstand the test of time, something like that…
2013: From whimsical musings to invasive rumintations on transitioning – This was my 10th post ever, and I really think I zeroed in on the psychological push-pull of not feeling like either gender for the first time here. I even used some of what I wrote here much later, in an essay that is forthcoming as part of an anthology published by Columbia University Press. For real! The date keeps being pushed back, but it will be within a year – I’m sure I’ll have updates as that approaches.
2014: The Soft Sell (upping the ante) – This was my 30th post. It was mostly about: despite the fact I may have been solidifying my gender identity more and more, I was waaaay behind in telling a lot of the people in my life about it. The blog was a great outlet to be semi-private but also just feel it out as I went. The term “the soft sell” came from my therapist – that was her reaction to me telling her the half-assed way I had come out to my parents. When she said that, all I could picture was the members from Soft Cell, one of my fave bands. That has always stayed with me. Hah.
2015: I came out to the principal of my school (workplace) – This post was definitely not overlooked, but I still think it’s worth highlighting. I came out to her waaaaay before I actually actively came out at work, and I strongly feel like the fact that I did that, that I put those roots down, gave me hope toward my final destination. It also breaks down the divide I feel between the “janitor” and the “queer” parts of my identity – this blog has continually felt out where that line is, where it crosses, where they are distinct, etc. I just really like this post because it addresses a lot of that stuff head-on.
2016: Drag king stories #5 – This is definitely my favorite entry within this ongoing series I’ve been doing. I wrote it in honor of Prince’s death (the actual show took place in June of 2012) – the fact that I got to emulate Prince at a really well attended event meant the world to me, and the fact that I performed one of the songs with my drag partner/buddy’mentor made it all the more special. We were both regular drag performers at a gay bar in 2006 and 2007. Before I could articulate where I wanted to go with my gender, I got to act it out in all kinds of fun and creative ways, harnessing music and dance and costuming and make-up. Being a drag performer was a big step in my journey – this post really showcases that, I think.
2017: Jeepster (working title: I got an oil change and got my mind blown) – this is a real oddball post. I’ve always said that the three things this blog is about are: gender, being a janitor, and mental health, and this one here really crystalizes a mental state that was temporary (thankfully!) I had just recently gotten through the thick of a manic episode, and the residual disorganization / megaorganization is still very much apparent in the writing here. I think I want to highlight it because I’m currently working on a 16+ page piece where I just try to remember as much as I can about my most recent hospitalization. This is a companion piece.
And I’m gonna cop out and not do 2018 because the year’s not done yet! Plus, it’s my 5th anniversary, so I’m highlighting 5 posts. Makes sense. Here’s to 5 more years!
Dear friends and family of trans-people,
It can be super challenging, on multiple levels, when a loved one comes out to you, especially if it never occurred to you that they might be transgender. You might not know where to turn, or what resources to access to help you navigate the changes they (and you) will be going through. There ARE resources though, plenty of them, and support groups (if not locally in your area, then definitely on the internet). It is not up to the transgender person to be your sounding board, your therapist, your coach, or your educator. In addition, as you work through it in your own way, please put a damper on the “transition as death” narrative. It is trite, outdated, and toxic.
If you feel like you are mourning a death, that’s fine – all feelings are valid (etc.) But why would this be something you need to work out publicly? We are very much alive. Almost always, transition is actually close to the opposite of death – it’s a time to finally feel out who we actually are. We may have felt like a “half-person” or a “shell of a person” or, to put it in those same grim terms, like a “walking dead person.” I know I did prior to transition, quite a bit. Coming out was a celebration of life. I feel like I have so much more to live for now.
When you claim that the person you knew has died, you are implying that the person we are becoming is not worth getting to know, or that we have slighted you, tricked you, we are to blame for your feelings of loss. And, actually, we aren’t even “becoming” a different person. We are the same person, just finally in technicolor, finally kaleidoscopic, however you want to look at it. If you took the time to see how much we settle into ourselves, how often our worst mental-health issues start to soften around the edges, how we can be more present in the moment, more peaceful, more calm, then you might understand that it is so far from a death that the analogy is utterly ridiculous and laughable.
Please reflect on the ramifications of claiming we have died.
And now for some hard evidence! Two sources that have been recently on my radar have had me in hyper cringe mode as they talked about the “death” of their transgender loved one.
First, an episode of the podcast Beautiful Stories from Anonymous People: I generally love this podcast, and in fact, I’ve written about it before, because there have been 2 prevous episodes highlighting transgender narratives. If you wanna check that blog post out, it is: Beautiful / Anonymous: Trans-related episodes.
Episode #116, sensationalistically entitled She Killed My Father is a much harder pill to swallow. The gist is that the caller is an only child, the adult child of a transwoman who came out later in life (in her fifties), much to the surprise of those around her.
Caller: “Sometimes it feels like this person killed my father. And in a way, that’s right. You know, I, well, think about it this way: When you lose… my father, as a male, does not exist anymore. This person is gone. And normally when that happens, you have this grieving period, you have this ritual, this ceremony, you can go to this funeral or this memorial service and people bring you food and people give you cards and people just give you your space and they really support you and they let you process that. But for me, um… especially with my dad… I don’t have a dad anymore, and this person came in and said, ‘Your dad’s gone. Now it’s me….'”
Chris: “Wow. This is, this is, by far, out of all the calls we’ve ever done, one that is so much to wrap one’s brain around.”
Blaaaaaaaaaah!!!!! To be fair, I am just isolating this one thing, and of course it’s way more complex as we hear more of her story: Her father is also bipolar, and has issues with boundaries, always wanting to be more of a “buddy” than a parent, stuff like that. But really, nothing excuses this framework the caller has set up so starkly. Can’t get past it!
The second instance I’ve recently come across is in a book called, At The Broken Places: A Mother and Trans Son Pick Up the Pieces. This book is co-authored by both mother and son, and it is in many ways a difficult but worthwhile read. It’s rich in its depth and complexity. Both authors are not afraid to show their wounds and flaws, and, to be sure, some of that is cringe-worthy.
She (the mother, Mary Collins) delicately sidesteps the specific “my daughter has died” scenario, but she has an entire chapter entitled “Mapping Modern Grief,” and there’s plenty of comparisons to the death of her father at a young age, as well as, “I am grieving the loss of my daughter,” “I understood my daughter would never return,” and this mindboggling way of looking at it: “My emotional journey with Donald seems to more closely mirror more nebulous losses, such as moving away from someone I will never see again.”
Not as in-your-face with the death imagery, but just as chafing, on an emotional level.
I wanted to highlight this change, on testosterone, because I’ve vacillated so much over time, and it seems worth noting. Initially, this was the thing I feared the most. It’s one of the changes that happens early on, is irreversible, and is most noticeable. I wanted to avoid it all together, partially because I wasn’t ready to come out beyond what I was comfortable with (my community and friends). I didn’t want this change to “out me” before I was ready. Also, I didn’t want to tip the gender balance – I wanted to be, over-all, androgynous and not definitively masculine in any way.
When I was on a low dose of Androgel (for over 2 years), I successfully kept things right where I wanted them. Then I went off T completely for a while, and in that time, I started DJing for a community radio station. I didn’t like listening back to my shows at first, so I just didn’t. They felt cringe-worthy. Eventually I started listening, and improving, and switching things up. I started to find my voice, suuuuuuper gradually.
About a year in, I was ready to plunge into T-injections and all the changes that may come along with that, including my voice dropping. I had already come out with family and at work and had changed my name legally, so those things were no longer road-blocks.
It was a bizarre and largely private thing to go through. I don’t talk all that much in my daily life, to begin with, so it was a lot of testing out the changes, daily, in my car alone. And then also the radio show, weekly. I know there were times when my voice cracked, but I haven’t listened back, specifically, for that. I’m sure I could find those moments, in the archives, if I really wanted to. But I don’t! Haha.
Fast forward, and I am super satisfied with my voice as it is now. I have a hard time relating to how tortured I felt about it in the past. Along with increased confidence and comfort with my body and my place in the world, my voice just feels natural. It also just feels so much easier to find words, to converse in all sorts of situations, and to be more out there. It is awesome in so many ways.
In preparing for my 100th radio show, I did go back to those first few shows and listened to them probably for the first time. And they WERE totally cringe-worthy, haha. My voice was stilted and stiff; I sounded so unsure of myself. I did a cool thing where I isolated some of the sound clips from those early shows, and then I played them live, on my 100th show. Here’s me, talking about lunch over the course of a handful of shows, before T-injections, and then me interjecting over top of that – you can really notice the change in my voice that way! Also my best friend was there in the studio – she’s the third voice on this track: